Beginning Middle End (Mel Lyman)

In the beginning, there was God.
In the middle, there was Man.
In the ending, there was more God.

-- Mel Lyman (1938-1978?)

Our Mysterious Universe, Part I

The Banach–Tarski paradox is a theorem in set theoretic geometry which states that a solid ball in 3-dimensional space can be split into a finite number of non-overlapping pieces, which can then be put back together in a different way to yield two identical copies of the original ball. The reassembly process involves only moving the pieces around and rotating them, without changing their shape. However, the pieces themselves are complicated: they are not usual solids but infinite scatterings of points. A stronger form of the theorem implies that given any two "reasonable" objects (such as a small ball and a huge ball), either one can be reassembled into the other. This is often stated colloquially as "a pea can be chopped up and reassembled into the Sun."

The reason the Banach–Tarski theorem is called a paradox is because it contradicts basic geometric intuition. "Doubling the ball" by dividing it into parts and moving them around by rotations and translations, without any stretching, bending, or adding new points, seems to be impossible, since all these operations preserve the volume, but the volume is doubled in the end.

-- Wikipedia, "Banach-Tarski paradox"

Universal Form of Krishna

The vast manifestation of the phenomenal material world as a whole is the mask-body (persona) of the formless Pure Energy, Transcendent Reality of Spirit, wherein the universal resultant past, present and future of material time is experienced.

Persons who have realized it have studied that the planets known as Pātāla constitute the bottoms of the feet of the universal Lord, and the heels and the toes are the Rasātala planets. The ankles are the Mahātala planets, and His shanks constitute the Talātala planets.

The knees of the universal form are the planetary system of the name Sutala, and the two thighs are the Vitala and Atala planetary systems. The hips are Mahītala, and outer space is the depression of His navel.

The chest of the Original Personality of the gigantic form is the luminary planetary system, His neck is the Mahar planets, His mouth is the Janas planets, and His forehead is the Tapas planetary system. The topmost planetary system, known as Satyaloka, is the head of He who has one thousand heads.

His arms are the demigods headed by Indra, the ten directional sides are His ears, and physical sound is His sense of hearing. His nostrils are the two Aśvinī-kumāras, and material fragrance is His sense of smell. His mouth is the blazing fire.

The sphere of outer space constitutes His eyepits, and the eyeball is the sun as the power of seeing. His eyelids are both the day and night, and in the movements of His eyebrows, the Brahmā and similar supreme personalities reside. His palate is the director of water, Varuṇa, and the essence of taste of everything is His tongue.

The Vedic hymns are the cerebral passage of the Lord, and His jaws of teeth are Yama, god of death, who punishes the sinners. The art of affection is His set of teeth, and the most alluring illusory material energy is His smile. This great ocean of material creation is but the casting of His glance over us.

Modesty is the upper portion of His lips, hankering is His chin, religion is the breast of the Lord, and irreligion is His back. Brahmājī and the Mitra-varunas, who generate all living beings in the material world, are His genitals. The ocean is His waist, and the hills and mountains are the stacks of His bones.

The rivers are the veins of the gigantic body, the trees are the hairs of His body, and the omnipotent air is His breath. The passing ages are His movements, and His activities are the reactions of the three modes of material nature.

The clouds which carry water are the hairs on His head, the terminations of days or nights are His dress, and the supreme cause of material creation is His intelligence. His mind is the moon, the reservoir of all changes. The principle of matter is the consciousness of the omnipresent Lord, and Rudradeva is His ego.

Varieties of birds are indications of His masterful artistic sense. Manu, the father of mankind, is the emblem of His standard intelligence, and humanity is His residence. The celestial species of human beings, like the Gandharvas, Vidyādharas, Cāraṇas and angels, all represent His musical rhythm, and the demoniac soldiers are representations of His wonderful prowess.

I have thus explained to you the gross material gigantic conception of the Personality of Godhead. One who seriously desires liberation concentrates his mind on this form of the Lord, because there is nothing more than this in the material world.

One should concentrate his mind upon the Supreme Personality of Godhead, who alone distributes Himself in so many manifestations just as ordinary persons create thousands of manifestations in dreams. One must concentrate the mind on Him, the only all-blissful Absolute Truth.

-- Srimad Bhagavatam, Canto 2 Chapter 1, "First Steps in God Realization"

(Un)Conscious Projection (Grossinger)

Most people, trapped as they are in symbol clusters and instincts, do not even know that they exist. Even the smartest of us are enacting bare protocols of subsistence, food acquisition, self-projection, and object possession. We are set on the implacable tracks of a machinery of eternal return. .... What are we unknowingly projecting now, that in twenty thousand years will become the Earth? Will our civilization of machines survive long enough to launch a civilization of light?

-- Richard Grossinger, from 2013: Raising the Earth to the Next Vibration (p. 58)

The Edge (Hunter Thompson)

The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In.

-- Hunter S. Thompson, "Midnight on the Coast Highway" (reprinted in Songs of the Doomed)

Creativity and youth (Hoffer)

The tendency to carry youthful characteristics into adult life, which renders man perpetually immature and unfinished, is at the root of his uniqueness in the Universe, and is particularly pronounced in the creative individual. . . . The creative individual is an imperishable juvenile.

– Eric Hoffer

Awakened in context

To know yourself as an awakened individual is also to know yourself as the being of the surrounding context.

-- Starseed: The Third Millennium

Open to enlightenment

Change people by opening them up to a new dimension of reality. Everyone has the potential for enlightenment if you are open to them. Accept the other person's reality if you are going to communicate with them; otherwise, you are just playing a word game.

-- Gridley Wright (1934-1979)

Paths and paths (Castaneda)

All paths are the same. They lead nowhere. They are paths going into the bush. In my own life I could say I have traversed long, long paths, but I am not anywhere. Does your path have a heart? If it does, the path is good; if it doesn't, it is of no use. Both paths lead nowhere, but one has a heart, the other doesn't. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong, the other weakens you.

-- Carlos Castaneda

The one certain truth (Wm. James)

There is but one indisputably certain truth, and that is the truth that skepticism itself leaves standing: The truth that the present phenomenon of consciousness exists. That, however, is the bare starting-point of knowledge -- the mere admission of a stuff to be philosophized about. The various philosophies are but so many attempts at expressing what this stuff really is.

-- William James (1842-1910), from "The Will to Believe"